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Vous avez sélectionné:
Traditional Flamenco
Partitions à imprimer
70 partitions trouvées
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Flamenco en los Fogones. Partituras de Flamenco para el piano.
Flamenco en los Fogones. Partituras de Flamenco para el piano.
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Various
#
ALICIA GARCIA FALGUERAS
#
Flamenco en los Fogones. Parti
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ALICIA GARCIA FALGUERAS
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SheetMusicPlus
By Various. By Various. Arranged by ALICIA GARCIA FALGUERAS. 19th Century, 20th Century, Folk, Latin, Traditional. Score. 26 pages. ALICIA GARCIA FALG...
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By Various. By Various. Arranged by ALICIA GARCIA FALGUERAS. 19th Century, 20th Century, Folk, Latin, Traditional. Score. 26 pages. ALICIA GARCIA FALGUERAS #836664. Published by ALICIA GARCIA FALGUERAS
As an accompaniment in the home of people's lives during the 50's onwards, music between the stoves was a common activity and made the task of cooking more enjoyable, adding culinary art to the musical art. Even in the flamenco melodies, some secret recipes or ingredients were noted, perhaps to perpetuate the tradition and passing between generations of culinary ideas, thus preserving the essence of typical stews in musical styles such as tanguillo, tango, rumba or rancheras. In this album, as a continuation of the previous one, we present the transcription for piano of seven flamenco songs with gastronomic content.
$15.00 ≈
£11.85
Cuatro palos de Flamenco para Piano
Cuatro palos de Flamenco para Piano
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
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Unknown
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ALICIA GARCIA FALGUERAS
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Cuatro palos de Flamenco para
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ALICIA GARCIA FALGUERAS
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1341009 By Unknown. By Mutiple. Arranged by ALICIA GARCIA FALGUERAS. Folk,Historic,Latin,Multicultural,Traditional,World....
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Piano Solo - Level 4 - SKU: A0.1341009 By Unknown. By Mutiple. Arranged by ALICIA GARCIA FALGUERAS. Folk,Historic,Latin,Multicultural,Traditional,World. Score. 20 pages. ALICIA GARCIA FALGUERAS #926583. Published by ALICIA GARCIA FALGUERAS (A0.1341009). En este álbum de partituras para piano se ofrecen cuatro palos diferentes del género Flamenco: Fandangos de Huelva, Tanguillo comparsero de Cádiz, Tango flamenco y Peteneras. Para el disfrute y agrado de los músicos, expertos o no en el Flamenco, y su preservación a través del tiempo.
$20.00 ≈
£15.80
La Piedra Que No Se Pierda (Tangos) by Eugen Sedko, flamenco guitar tabs
La Piedra Que No Se Pierda (Tangos) by Eugen Sedko, flamenco guitar tabs
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Flamenco
#
Fingerstyle/Fingerpicking
#
Eugen Sedko
#
La Piedra Que No Se Pierda
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Eugen Sedko
#
SheetMusicPlus
Guitar Tab - Intermediate - Composed by Eugen Sedko. Repertoire, World, Folk, European. Individual Part, Sheet Music Single, Solo Part, Tablature. 5 page...
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Guitar Tab - Intermediate - Composed by Eugen Sedko. Repertoire, World, Folk, European. Individual Part, Sheet Music Single, Solo Part, Tablature. 5 pages. Published by Eugen Sedko
Tangos made in traditional Flamenco style, a composition by flamenco guitarist and teacher Eugen Sedko, "La Piedra Que No Se Pierda". Good composition for those who love traditional flamenco guitar music and want to have something new for their repertoire. Exact right and left hand fingering is included. Enjoy!
$6.99 ≈
£5.52
Canso de Nadal (AKA "La Nit de Nadal")("Christmas Song/Eve")(Catalan Christmas Traditional Song)
Canso de Nadal (AKA "La Nit de Nadal")("Christmas Song/Eve")(Catalan Christmas Traditional Song)
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Arranged by Francisco
#
Canso de Nadal
#
SmartWorks Publications
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.504172 Composed by Arranged by Francisco (Francesc) Alió i Brea (1862-1908, Barcelona). Arranged by Alpi...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.504172 Composed by Arranged by Francisco (Francesc) Alió i Brea (1862-1908, Barcelona). Arranged by Alpin Smart (transcription for voice and guitar). Children,Christmas,Folk. Score. 1 pages. SmartWorks Publications #116103. Published by SmartWorks Publications (A0.504172). Catalan folk songs have a quality quite unlike anything else, and certainly nothing like the music we so readily associate with Spain - 'Flamenco' and 'Cante jondo'. The most famous of these is the achingly beautiful and utterly haunting El Cant dels ocells (Song of the Birds), made famous by the great Catalan cellist, Pablo Casals, and set (twice!) by Joaquin Nin, as well as an exquisite solo guitar version by Federic Mompou. All have this haunting and ethereal quality. These songs are well-known as solo guitar works by Miguel Llobet (1878-1938, Barcelona) in his celebrated 16 Folksong Settings, made famous by Segovia, and much-loved by generations of guitarists.
$4.99 ≈
£3.94
Partituras de Flamenco al PIANO
Partituras de Flamenco al PIANO
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Multiple artists
#
Partituras de Flamenco al PIAN
#
SheetMusicPlus
By Multiple artists. By Multiple composers. Arranged by ALICIA GARCIA FALGUERAS. 20th Century, Contemporary, Folk, Latin, Traditional. Score. 51 pages...
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By Multiple artists. By Multiple composers. Arranged by ALICIA GARCIA FALGUERAS. 20th Century, Contemporary, Folk, Latin, Traditional. Score. 51 pages. ALICIA GARCIA FALGUERAS #721628. Published by ALICIA GARCIA FALGUERAS
$25.00 ≈
£19.75
Fandango de Huelva
Fandango de Huelva
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Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Flamenco
#
Traditional
#
Richard Hirsch
#
Fandango de Huelva
#
Richard Hirsch
#
SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Mlaga, Almera) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a comps, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the comps falling on the third beat of the first 4/4 measure. The first accented beat in the comps falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms? Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan Gonzlez ?Triguito? in Madrid in the late 1960?s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesn de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99 ≈
£3.94
Malaguena (for solo guitar) (Standard Notation)
Malaguena (for solo guitar) (Standard Notation)
#
Guitare
#
AVANCÉ
#
Flamenco
#
Brian Hayes
#
Malaguena
#
Brian Hayes
#
SheetMusicPlus
Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian H...
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Guitar, Acoustic Guitar, Flamenco Guitar, Solo Guitar - Advanced - Arranged by Brian Hayes. Score, Sheet Music Single. 9 pages. Published by Brian Hayes
This is a flamenco guitar arrangement of Malaguea, a pianopiece written by Cuban pianist/composer Ernesto Lecuona. It was originallyadapted for solo Spanish/Flamenco guitar by Carlos Montoya in 1961 and is widely believed to have been originallywritten for the guitar. The fact that Lecuona wrote the piece in thestyle of Spain is likely what makes the Spanish guitar arrangement feel like itbelongs to the instrument. Anotherreason for its association with Spanish guitar is the fact that the main melodyfrom the piece was not Lecuona?s invention but was taken from the ?Malaguea? flamencoform, originating out of Mlaga, Spain, in the 19th century. ?Malaguea,? andthe melodic lines associated with it, is one of the traditional styles of Flamenco/Andalusianmusic. This rendition is ?in the style of Sabicas,? a Spanish Gypsy guitaristwho is considered by many to be one of the finest flamenco solo guitarists of his time. Lecuona?sMalaguea is typically found as a solo piano piece in the key of C# Phrygian,whereas on the guitar, (as is the case with this arrangement) it isnormally arranged in E Phrygian.
$6.99 ≈
£5.52
Tanguillo de Cádiz Guitar 2
Tanguillo de Cádiz Guitar 2
#
Guitare
#
INTERMÉDIAIRE
#
Flamenco
#
Traditional
#
Richard Hirsch
#
Tanguillo de Cádiz Guitar 2
#
Richard Hirsch
#
SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World....
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1262076 Composed by Traditional. Arranged by Richard Hirsch. Instructional,Multicultural,Traditional,World. 3 pages. Richard Hirsch #855138. Published by Richard Hirsch (A0.1262076). I offer an arrangement in D major of the traditional Flamenco Tanguillo de Cádiz as a second guitar to accompany my arrangement of the Tanguillo for solo guitar. The solo guitar arrangement is written in A major. To work as guitar 1 in the duet, the solo version must be played with the capo at the fifth fret to transpose the score to D major. This is normal practice in Flamenco guitar playing. The guitarist simply plays the score as if the capo were the nut. The tones/notes are then referred to as if they were being played in the first position, but they sound of course different.I created the arrangement in D major to accompany a student I taught to play the solo version so we could play and perform together. It was a lot of fun working on the arrangement and we had a great time playing the Tanguillo as a duet. It was also a big hit with audiences. I particularly recommend this arrangement for instructors teaching the solo version to intermediate students of Flamenco guitar, especially young students who will find it easier to play the Tanguillo at the fifth fret in D major. It is a great inspiration for  students to play along with their instructor, making music together. The arrangement also, of course, works just as well as a duet for two students or two experienced guitarists.The D minor section contains the typical Andalusian cadence found in the more â??jondoâ? styles of Flamenco and serves as a first introduction to these darker more serious â??sonidos negrosâ? as Manuel de Falla referred to them. The many taps or â??golpesâ? found in the score are, as I said in the description of the Tanguillo solo, not absolutely essential, but they definitely add more â??punchâ? to the performance and give the arrangement a more earthy Gitano Andaluz character.
$3.99 ≈
£3.15
Villancicos Españoles para 2 Flautas
Villancicos Españoles para 2 Flautas
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2 Flûtes traversières (duo)
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DÉBUTANT
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Noël
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Traditionals
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Oliver König
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Villancicos Españoles para 2
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Oliver Koenig
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SheetMusicPlus
Flute, Woodwind Duet - Easy/Beginner - Digital Download Composed by Traditionals. Arranged by Oliver König. Christian, Christmas. Set of Parts. ...
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Flute, Woodwind Duet - Easy/Beginner - Digital Download Composed by Traditionals. Arranged by Oliver König. Christian, Christmas. Set of Parts. 5 pages. Published by Oliver Koenig
Item Number: S0.933623
The most beautiful Spanish Christmas carols in one booklet. You and your audience will enjoy the flair of Spanish sounds. The Spanish Christmas carols are unfortunately not yet very well known in Central Europe but they captivate with their partly flamenco-style sounds and will certainly surprise your audience. It is a very big joy to play and the sounds give the Christmas party the special touch.
$8.99 ≈
£7.10
Villancicos Españoles para 2 Clarinetes
Villancicos Españoles para 2 Clarinetes
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2 Clarinettes (duo)
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DÉBUTANT
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Latin/Musique du monde
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Traditionals
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Oliver König
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Villancicos Españoles para 2
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SheetMusicPlus
Clarinet, Woodwind Duet - Easy/Beginner - Digital Download Composed by Traditionals. Arranged by Oliver König. Set of Parts. 5 pages. Published ...
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Clarinet, Woodwind Duet - Easy/Beginner - Digital Download Composed by Traditionals. Arranged by Oliver König. Set of Parts. 5 pages. Published by Oliver Koenig
The most beautiful Spanish Christmas carols in one booklet. You and your audience will enjoy the flair of Spanish sounds. The Spanish Christmas carols are unfortunately not yet very well known in Central Europe but they captivate with their partly flamenco-style sounds and will certainly surprise your audience. It is a very big joy to play and the sounds give the Christmas party the special touch.
$8.99 ≈
£7.10
Spanish Christmas for 2 Saxophones
Spanish Christmas for 2 Saxophones
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Noël
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traditionals
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Oliver König
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Spanish Christmas for 2 Saxoph
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Oliver Koenig
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SheetMusicPlus
Composed by traditionals. Arranged by Oliver König. Christian, Spiritual, Christmas, Children's Music. Set of Parts. 6 pages. Published by O...
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Composed by traditionals. Arranged by Oliver König. Christian, Spiritual, Christmas, Children's Music. Set of Parts. 6 pages. Published by Oliver Koenig
The most beautifulSpanish Christmas carols in one booklet. You and your audience will enjoy theflair of Spanish sounds. The Spanish Christmas carols are unfortunately not yetvery well known in Central Europe but they captivate with their partly flamenco-stylesounds and will certainly surprise your audience. It is a very big joy to playand the sounds give the Christmas party the special touch
$8.99 ≈
£7.10
Spanische Weihnachtslieder für 2 Saxofone
Spanische Weihnachtslieder für 2 Saxofone
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2 Saxophones (duo)
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DÉBUTANT
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Noël
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Traditionals
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Oliver König
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Spanische Weihnachtslieder fü
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Oliver Koenig
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SheetMusicPlus
Composed by Traditionals. Arranged by Oliver König. Christian, Christmas. Set of Parts. 6 pages. Published by Oliver Koenig...
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Composed by Traditionals. Arranged by Oliver König. Christian, Christmas. Set of Parts. 6 pages. Published by Oliver Koenig
The most beautiful Spanish Christmas carols in one booklet. You and your audience will enjoy the flair of Spanish sounds. The Spanish Christmas carols are unfortunately not yet very well known in Central Europe but they captivate with their partly flamenco-style sounds and will certainly surprise your audience. It is a very big joy to play and the sounds give the Christmas party the special touch.
$8.99 ≈
£7.10
Patios de Córdoba
Patios de Córdoba
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99 ≈
£3.15
Tientos
Tientos
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Traditional
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Richard Hirsch
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Tientos
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch ...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Instructional, Multicultural, Traditional, World. Individual part. 8 pages. Richard Hirsch #222095. Published by Richard Hirsch
An arrangement of the Flamenco style (palo) Tientos for solo acoustic guitar. The piece is based on traditional themes for the Tientos that I have expanded and elaborated on to weave together a self-contained composition that lies somewhere between Brahms? Hungarian Dances and Dvorak?s Slavic Dances. The composition is inspired by my studies with Juan Gonzlez ?Triguito? in Madrid in the late 1960s. The Tientos belongs to the Tango family of Flamenco styles and is a slow majestic Flamenco rhythm that can reach great emotional depth in the hands of skilled guitarists. The Tientos is notated in standard 4/4 measures that although seemly simple can be deceptively complex because of the nearly inexhaustible possibilities for rhythmic variation. Lots of tapping can be found in the notation together with melody and chords, but also alone at rests which I leave in the notation. The tapping is perhaps a vestige of the African origin attributed to the Tango family of Flamenco palos. The arrangement ends with a finale (macho) that moves from the Tientos through a few bars of Tango to a finish in Rumba Gitana, the fastest and liveliest member of the Tango family.The Tientos is played in a Phrygian modal that moves from D minor through C and B-flat to A or A7. This variant of the so-called Andalusian cadence is typical for gitano Flamenco palos.The piece can be played by students of Flamenco guitar at the intermediate to advanced levels and contains many essential elements of serious (jondo) Flamenco guitar playing.
$4.99 ≈
£3.94
Llamas Negras Siguiriyas
Llamas Negras Siguiriyas
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Llamas Negras Siguiriyas
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Published by Richard Hirsch
An arrangement of traditional themes for the Flamenco style Siguiriyas for solo Flamenco guitar based on material I gathered in my studies in Flamenco guitar in Madrid in the late 1960s. I call the piece Llamas Negras (Black Flames) as the dance for Siguiriyas is often performed by a woman dancer (bailaora) dressed in a long flowing black dress, her hands twirling above her head likes flames. Such were the performances I witnessed at the Flamenco tablao La Zambra where my guitar maestro Juan Gonzlez ?Triguito? played. Siguiriyas is the most tragic of all the serious (jondo) styles of Flamenco for guitar. The piece moves therefore at a moderately slow pace, although there are passages where the tempo increases for dramatic effect. The piece is in the Phrygian modal of D minor and notated in standard 6/8 time. Siguiriyas embodies par excellence what Manuel de Falla called the ?sonidos negros? or black sounds in Flamenco!
$4.99 ≈
£3.94
21 Flamenco Guitar Etudes
21 Flamenco Guitar Etudes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Flamenco
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21 Flamenco Guitar Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Classical. Internatioanl. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #30997MEB. Published by Mel Bay Publications -...
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Classical. Internatioanl. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #30997MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459240. 8.75x11.75 inches.
Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist.The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuningall with a flamenco flavor.In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or flamenco-ized. Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous Recommended Listening list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection.Includes access to online audio.
$22.99 ≈
£18.17
Sonidos Negros
Sonidos Negros
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Flamenco
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Richard Hirsch
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Sonidos Negros
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Richard Hirsch
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SheetMusicPlus
Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch...
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Composed by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 13 pages. Richard Hirsch #695686. Published by Richard Hirsch
A Flamenco guitar solo in the Tarantas style. The Tarantas is a free-flowing slow moving Fandango from the region of Almeria which was earlier a principal mining region of Spain. The style is therefore sometimes called Mineras. Tarantas has long been one of my favorite Flamenco pieces for the guitar. It is notated in the key of B minor, based on a so-called ?Andalusian? cadence consisting of the chords B minor - A major (open B and E) - G major (open B and E) - F# major (with open G, B, and E). These dark and indefinite sounding chords allow plenty of room for the guitarist to open up emotionally with the audience.The material for the piece consists mostly of traditional themes that I have woven into a compositional whole along with a few of my own creations (falsetas). Songs for Tarantas are often expressions of loss of a loved-one in some mining tragedy. The long legato passages demand a complete mastery of the technique and should be played as fluidly as possible. The fanning (abanico) rasqueados in the finish of the piece can be new to guitarists coming to Flamenco from classical guitar. Demonstrations of this type of rasqueado can be found at my YouTube sites: https://youtu.be/sB-rDGtXK34 and https://youtu.be/OVBbUZFIj2s. Another type of rasqueado used frequently in the piece is a soft four finger rasqueado (cami) preceded by and followed by a brush up and down over the strings with the thumb (p-camip), accompanied by legatos on the base strings.The piece is accessible for advanced intermediate to advanced guitarists. As the Tarantas is played sens mesure, not demanding any competence of special flamenco rhythms, it is also a flamenco piece readily playable by classical guitarists. Classical guitarists should however be aware that the thumb plays the dominant role even in the more melodic passages.
$6.99 ≈
£5.52
Essential Flamenco Guitar: Volume 2
Essential Flamenco Guitar: Volume 2
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Guitare notes et tablatures
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Flamenco
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Methodes
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Essential Flamenco Guitar: Vol
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Mel Bay Publications - Digital Sheet Musi
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SheetMusicPlus
Rumba. Exercises. Ebook and online video. 141 pages. Mel Bay Publications - Digital Sheet Music #30501MEB. Published by Mel Bay Publications - Digital...
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Rumba. Exercises. Ebook and online video. 141 pages. Mel Bay Publications - Digital Sheet Music #30501MEB. Published by Mel Bay Publications - Digital Sheet Musi
ISBN 9781513455532. 8.75x11.75 inches.
The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second rhythmic form is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Juan\'s solo playing is complemented by demonstrations of the guitar\'s role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo guitar is transcribed in standard notation and tablature (cifra) and the online video contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay. These provide progressively graded solo material to extend the repertoire, from beginner to concert level. Includes access to online video.
$34.99 ≈
£27.65
Tradition Soleá for flamenco guitar, notes tabs
Tradition Soleá for flamenco guitar, notes tabs
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Guitare notes et tablatures
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DÉBUTANT
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Flamenco
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Fingerstyle/Fingerpicking
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Eugen Sedko
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Tradition Soleá for flamenco
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SheetMusicPlus
Guitar, Guitar Tab - Easy/Beginner - Digital Download Arranged by Eugen Sedko. Repertoire, World, Folk, European, Recital. Score, Sheet Music Single, Tabl...
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Guitar, Guitar Tab - Easy/Beginner - Digital Download Arranged by Eugen Sedko. Repertoire, World, Folk, European, Recital. Score, Sheet Music Single, Tablature. 4 pages. Published by Eugen Sedko
Sole is one of the oldest flamenco forms (palos). Falsetas and paseo from sole are the best musical elements for flamenco guitar beginners. All the elements are traditional, transcription and variations by Eugen Sedko.
$4.99 ≈
£3.94
Sol y Sombra
Sol y Sombra
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Guitare
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INTERMÉDIAIRE
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Flamenco
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Traditional
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Richard Hirsch
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Sol y Sombra
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #441703. Published by Richard Hirsch
An arrangement of traditional themes of the Flamenco style (palo) Alegrias de Baile (Alegrias for dance) that I acquired during my years of study with Juan Gonzlez ?Triguito? in Madrid in the late 1960s. The title of the piece that contains bright and happy passages in A major and slower more somber passages in A minor is taken from the name of a popular alcoholic drink that is a mixture of clear anisette (sol) and cognac (sombra). The composition is meant to resemble an Alegrias played in accompaniment to the dance, often performed by a solo woman dancer (bailaora) in a beautifully coloured long flowing dress. The piece finishes with a Macho por Buleras (finale) that is almost twice as fast as the passages in the introduction and middle parts. There is a long beautiful tremolo passage that rounds off the middle part before the jump into the finale. The piece is recommended for students of Flamenco guitar at the intermediate to advanced intermediate levels.
$4.99 ≈
£3.94
Fandangos de Huelva - traditional flamenco guitar theme TABS
Fandangos de Huelva - traditional flamenco guitar theme TABS
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Flamenco
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Fingerstyle/Fingerpicking
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Eugen Sedko
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Fandangos de Huelva - traditio
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SheetMusicPlus
Arranged by Eugen Sedko. World, Folk, European. Sheet Music Single, Solo Part, Tablature. 3 pages. Published by Eugen Sedko ...
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Arranged by Eugen Sedko. World, Folk, European. Sheet Music Single, Solo Part, Tablature. 3 pages. Published by Eugen Sedko
$4.99 ≈
£3.94
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Traditional Flamenco
